It’s great to have creative people in the family and bounce things off of. “My mom was very supportive of my music and still is and comes to all the shows. In a 2016 interview with Rolling Stone, Henry talked about his mother's support for his career. ![]() ![]() Julia and Brad’s eldest son has a passion for music, releasing his debut solo album in 2020. More recently, he played Nick on the second season of the Disney+ series Big Shot and as Andrew in Mindy Kaling‘s HBO Max series The Sex Lives of College Girls. Related: How Much Do Julia Louis-Dreyfus, Michael Richards and Jason Alexander Make For Seinfeld Reruns? He made his film debut in Amy Poehler‘s Netflix movie Moxie. His first role was in Veep alongside his mother, but he has gone on to have recurring roles in Single Drunk Female, Bel-Air, and Love, Victor. 26-year-old Hall played basketball at Northwestern University, where his parents met.Ĭharlie is an exciting up-and-coming actor. In the case of Julia Louis-Dreyfus, movie star, we need to make up for lost time.Julia Louis-Dreyfus' son Charlie has followed in his famous parent's footsteps by becoming an actor. May she and Louis-Dreyfus (and the rest, sure!) do this all over again soon. It’s a pleasure to have spent time with them, and with Holofcener’s amiably self-conscious wit (and wisdom). Fletcher, plays Beth’s slightly aimless son, Elliot, a slouch who’s supposed to be writing a play but mostly just works at a weed store, to Beth’s perhaps reactionary horror.Įlliot’s little predicaments add to the detailed texture of Holofcener’s film, which lilts along until a few things have been learned, some slight alterations have been made, and it’s time to let Beth and the others drift off into the rest of their fictional lives. Owen Teague, who was in Holofcener’s Mrs. And Louis-Dreyfus keenly understands the particular tenor of parenting a grown child. She shares an entirely credible familial rapport with Watkins and with the great Jeannie Berlin, who plays Beth and Sarah’s mom in a pair of very funny scenes. She has such fluid ease with the material, gracefully inhabiting Beth’s world with tic and idiosyncrasy. Louis-Dreyfus is a magnificent interpreter of that evenhandedness. The film considers her tailspin both seriously and with wry amusement, as so many moments of life should probably be regarded. Beth acknowledges that this is ultimately a petty, narcissistic concern, but it’s her petty and narcissistic concern, and it’s what she’s feeling. Holofcener allows for plenty of real emotion to inform her characters-when Beth overhears her husband, it arrives as a genuine crisis, not a comedy-movie complication, an excuse to zanily freak out. She’s got a light touch, a humane one too. Holofcener weaves these people and their problems together in delicate fashion, guiding us toward her thematic conclusions in a way that never feels starchy, didactic, too lesson-oriented. It’s a funny topic for a film, a particular sub-facet of human exchange that Holofcener finds amusing and insightful ways to dramatize. More broadly, she’s musing on what it is to encourage a loved one along on their path, whether that’s out of genuine belief in their pursuit with some white lies meant to protect them from, well, hurt feelings or an overconfidence in their abilities. In the case of You Hurt My Feelings, she is looking at self-doubt, particularly when it comes to career. Holofcener’s films tend to center on a theme. Beth is crushed, and begins to wonder if their trusting bond has really ever been what she thought it was. Though outwardly supported by her husband, therapist Don ( Tobias Menzies), Beth overhears him saying that he doesn’t much like the drafts of the novel he’s read. In You Hurt My Feelings, Louis-Dreyfus plays Beth, a writer of modest renown whose last book, a memoir about her somewhat troubled childhood, underperformed, and who is working on her first novel with frustrating results. Thank god, at least, that she and Holofcener found each other, so wonderfully complementary are their styles. The actor, who previously worked with Holofcener in the lovely Enough Said, is so endlessly appealing on the big screen-funny, perceptive, natural-that one can easily envision a whole resume of interesting work spanning the years since Seinfeld.Īnd yet, Louis-Dreyfus has only done a handful of films. Watching Nicole Holofcener’s new film You Hurt My Feelings, which premiered here at the Sundance Film Festival on Sunday, one begins to wonder why Julia Louis-Dreyfus hasn’t been starring in movies for decades.
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